Wed. Dec 4th, 2024

 Franz Mojzis with Sunit Tandon

Have you ever taken a moment to closely observe at the faces that knock on your glass window as you drive through the city, or do you pass? The angst, the pain, the smiles, the joy, the resilience, and above all the spirit of survival in each of these faces narrate a story of belonging to the capital. While it might seem trivial, it captivated the attention of someone who made it her photographic interest.

Faces in my Window by Nelofar Currimbhoy, an evocative curation of pictures portrayed the faces we come very close to, those who virtually look into our eyes yet often go unnoticed. This photographic exhibition at the Open Palm Court Gallery, Habitat Centre from November 2 to November 5, 2024 allowed the viewers to delve into the closeness of the faces to the lens, which captured an inner depth of emotions and longing, mirroring the essence and resilience of survival.

Eminent guests included Smt. Maneka Gandhi, Aman Nath, Sujata Kaul Dere, Anupamaa Dayal, Franz Mojzis, Sunit Tandon, Anjum Chopra, Karuna Khaitan, Mr. K.L.Ganju, Mrs. Barbara Paula Urdampilleta, and Shivani Wazir greased the event.

A prolific author, successful theatre producer/writer, philanthropist, leading entrepreneur, and now a sensitive photographer, Nelofer’s devotion, staunchness, and passion has acquired people’s love and blessings where she believes in giving her best to what she enjoys and then let people decide how good it is. “My work focuses on my beloved country, where we embrace life, endure challenges, and rejoice, fuelled by deep spirituality and inner essence that leads us. With that in mind, we all do need to support and lend a hand to those in need-many of us contribute to improving the lives of others and there are some wonderful NGOs and individuals committed to this mission.”

Her passion for photography and her curiosity about street survival inspired her to create a docu story titled “Ratni’s Red Lipstick,” which sensitively illustrates the dreams of a young girl living on the streets who wants to emulate the models she sees on hoardings, providing an emotional glimpse into the lives of those striving for a brighter future amid challenges. In addition, her second documentary currently under final stages of production, “Survival,” centres on street pregnancies and childbirth, capturing the poetic essence of human resilience in the face of adversity.

Faces in my Window served as a remarkable exhibition that sensitively portrayed the depth of emotions that reflect the essence and strength of survival of those for whom we pause and then pass by.

By team

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